Sunday, September 21, 2008

Glass Studio Safety ~ Prescription Cream for Burns


There are a lot of things I joke about, but treating burns isn't one of them. This is the kind of prescription burn cream I keep on hand. I saw it used at a glass retreat and it's healing power was amazing.

If you can't read the label easily, it is prescription Silver Sulfadiazine Cream. It has some other names it goes by, I think one of them is Silvadene or something like that. Use it twice a day.

I am not a medical person, so please ask your Doctor for his/her opinion. I just wanted to give you another option, in case you were like me and thought that ice water and lavender oil would do the trick each time. Keep this by your torch. But if your burn is a bad one, please seek medical attention right away.

Here is something funny, though. I took this photo with my computer camera, so the blue background fabric is draped over my head, and I'm balancing the cream in one hand and searching for the spacer bar under the fabric with the other to activate the camera. If you saw me, you would have laughed.

I'll be back tomorrow and don't forget, Tuesday will be my next online coaching session with Rosebud 101's Santa face.

Saturday, September 20, 2008

Music With A Touch of Glass

Although the world of glass fills a large part of my soul, music, friends and family are so important too.

Last night we went to No JabOinga's gig with some friends. The fabulous guitarist on the right, Evan Krupa, and my son played together throughout their school years.

They were our own garage band, playing almost every day...in our garage, hanging out at the house, and gigging on the weekends. I sure miss those days. The live music really was a joy to hear, the laughter and of course, the traditional very late night visits to Waffle House after their shows.

Last night, when No JabOinga did their cover of Allman Brothers' Whipping Post, all the memories came rushing back. That was always one of my favorite songs when the kids were practicing. In those days, Evan's fingers already were magical and his deep gravelly voice gave it a mature sound. And although No Jaboinga's drummer is hugely talented, I still wished that last night my son was around and sitting up there for that song.

Before leaving last night, I chatted with Ev and told him how that song brought back such wondeful memories. I teased him and asked if we're going to Waffle House next. Without missing a beat, he smiled, "Only if you'll drive me. Just like you always did."
* * * * * *
And here's your glass tidbit of the day...
Instead of a regular chair, I use a drum throne for making my beads, (their term for the drummer's chair/stool) It has a comfy seat, an adjustable padded small backrest and the seat can move up and down.

Friday, September 19, 2008

What's Up With This Tool? Post & Win a Prize


In my constant effort to make technology my friend, I decided to mix it up a bit and experiment with my computer's video capabilities. This is called a "vlog" - video blog.

Watch the very short video and put your name in the hat to win a free bead from me.
1. Answer the question posed on my vlog- funny or serious response
2. Add your name, where you live, and if you'd like, post your website and/or blog .
(It's free advertising for you!)
3. If you have a problem viewing the video, please let me know too. That's part of the reason why I'm trying it out.
4. Next Wednesday, I'll have a friend pick a number and the person who was that number posting, will win one of my beads. I'll ship it to anywhere- including internationally. And the winner's blog, etsy shop or whatever will be featured in this blog at a later date.

Just click on the lower left arrow to listen. And then respond. I look forward to hearing from you.

And by the way, I made a bead using this tool and I'll show it next week when I announce the winner.

And if you have a free minute, stop by my etsy shop, http://www.StudioMarcy.etsy.com . I'll be adding more beads a little later today.

Wednesday, September 17, 2008

Ask StudioMarcy ~ Online Coaching " Penguins" with Fiona and Me

Welcome to today's online coaching. But first a quick note... tomorrow's post will include a video posting. I'm trying to learn this century's technology, so it's a bit of an experiment, as well as some fun. It will include a contest to win a free bead too.

Fiona couldn't have chosen a better type of bead to make, because unknown to her, penguins have really been on my mind recently. My daughter leaves soon to work in Antarctica, where penguins are one of the featured inhabitants. I've been thinking I need to make more and now I have this chance.

Here is Fiona's second lampwork glass sculptural bead. She is now making penguins. This little fellow will be shown in three different poses.

Here is a side view. Let's talk about his basic construction. I can not tell whether this penguin was made on a black base with a white section added for his tummy or whether he was made with a white base and the additional black glass added on. That's a good thing. So here are a few tips for making the base bead.

1. Shape can be long barrel shape or chubby tear drop shape. With the addition of wings, it makes the slimmer top section thicker, so either would work.
2. When adding white to a black base bead, make sure your black is not too warm. If the white is warm and the black is too warm, then sometimes your white starts blending into your black around the edge and you get a bit of purple outline. As you know, white glass is a lot softer than the stiffer deep transparent purple, (if using Effetre brand), which we know as black glass.

So now it's time to add the head. Fiona added a head that looks like our donut shaped bead. It's in proportion in size, but doesn't have quite as much room for a face. My suggestion is to make it a little larger, so your eyes, beak and any other features can stand out a little better. I really like his beak. I think the size and shape are perfect.

The eyes could use a little work. Perhaps melting in the whites first, letting them cool a touch and then adding the black pupil at the end, will keep it from standing out too much. In person usually an eye that is so 3-D looks fine, but photographing something like that is much harder. If you want your penguin to look more like a character, you can make the eyes larger, if you want it more realistic, keep them in proportion to what they should be. Always add your farthest away eye first. Then the closer one will be easier to for you to gauge and place. I put on the whites of the eyes as soon as I make the head. That way I can melt in the white, without disturbing any of the other features. While I'm melting in the whites, I add a little heat and then gently marver the dot flatten a bit- not pushing hard, because that will spread out the white. Heat again gently and repeat, until they are in the shape and location that you want them.

Fiona wrote to me about the Penguin - "my second ever birdy bead... he is about 25mm tall, has popping eyes (when do I put the white on to melt it flat) Im 'quite' happy with his beak and feet but his right wing (as you face him) is odd... I know what I did though.. put too much black on.. I didn't let it get hot enough be before I swiped it so it was too thick."

Well, Fiona knows exactly what to do differently next time, which you will shortly see. You want your gather nice and hot and you want both of them the same size. Here are a couple of tricks.

1. If you have a hard time adding your wings in the right spot, then before you add them, place a small dot of black where you want them to start. It will blend in when you add the wings, but will be a visual reminder where they should be. If you don't like how you placed it at first, then just melt the dot in and start over.
2. Your wing gather of black glass should be approximately the same size for both wings. you can measure your glass, or you can just "note" it pretty carefully. Be aware of what you're doing and it will work much better. In cases where perfection is really important, you can keep a set of calipers on your studio bench and measure the rod as to how much of the rod you're going to use.
3. Once you've laid on the first wing, don't forget that you can make some adjustments. You can heat just the wing and move around the raised glass with your brass Stump Shaper or other brass tool. (One of my sayings..."graphite will smooth it, brass will move it"). Then do the same with the other wing. If a wing is too narrow at the bottom, add some small dots of black and gently heat them in and move them where you need extra glass to make your wing fuller.
4. If the wing is too big, then don't forget that you can remove glass by heating it up a bit and taking a cold rod or stringer of the same color and gently pulling some off. Careful, go slowly on this, as if you take too much, you just have to add it on again.


Here is Fiona's second penguin. Wow! She named it,
"I Believe I Can Fly" with good reason. Look how she added character to the wings, (which are well balanced), the eyes are improved, and she even photographed it so that it looks like it's on ice. Hooray for Fiona and her fabulous penguins.

I suggested to her that it's now time to add more details to them, whether it's clothing like a striped scarf, or other items to make them stand out as "hers". Besided, penguins make not only great winter beads to sell, but also she can market them as Christmas tree ornaments. Holiday marketing will be an entirely different blog post.

So watch for more of Fiona's penguins. She told me she has a Devil Penguin in the works.
And visit my etsy shop, http://www.StudioMarcy.etsy.com. I will be posting my version of a penguin bead a little later today. Mine is wearing ear muffs, a bow tie and a cumberbund. You can't dress up too much if you're a penguin, because black and white go with everything.

See you tomorrow for the video blog and fun contest....

Tuesday, September 16, 2008

Ask StudioMarcy ~ Online Coaching #1 Bird Today and Penguins Tomorrow

Meet Fiona from
Cheltenham, Gloucestershire in the UK. Her bead website is www.sterlingdesigns.co.uk . She's my first online student and for someone who has been working on a Hot Head torch for 9 months and hasn't ever done a sculptural bead. I must say, she sure makes it look easy. I'm so happy to be working with her.

Fiona has made three beads, so today we'll work with her very first sculptural bird (ever!) and tomorrow we'll chat about her next two ~ which are penguins. This is your chance to try a penguin and then compare it to what we discuss tomorrow.


Fiona is left handed and holds the 1/16th mandrel in her left hand and her glass rod in her right. I'm sure that's fine, but it was an interesting point to me. Usually our dominant hand is the one that creates the details with the glass, while our less dominant hand turns the mandrel.

So let's look at this cute little blackbird. In one of Fiona's earlier conversations with me, she mentioned that she was happy with the bigger body and smaller head with the hole running through both. She liked the beak okay, but she said, "the wings defeat me". So here was my first email coaching that I sent back to her:

"Wings are like painting on commas with a thick stringer, depending on the size of your bead. I heat a gather of glass, make the connection at the main point where the wings will connect and then with one swoop, make a slightly curved wing with that hot glass. the rest of the body is relatively cool, so it doesn't come along for the ride. You might look here for an example, http://www.etsy.com/view_transaction.php?transaction_id=10458319
You can see where I pressed down at the widest part and then pulled up into a point. I used a striped cane, so I would have some contrast between the bird body and the wings. The easiest way to do it is having enough glass in your hot gather for a big swish."

As you all can see, Fiona used a two donut shape approach to her bird body. One larger donut shape for the body and then a smaller one on top. I think it's cute and chubby this way. Next time, Fiona might want to consider adding another large dot on the lower back side to give it a little more bird booty shape in the back. I tend to add more glass in the back for back feathers. You need to decide what shape you want the tail to take. If you're doing a small tail, I add on more glass in a small "smile" shape and lay on a couple layers of it. Then I heat up just that glass, and use my pliers to shape it into extended tail feathers. Because it's a mass that is warm, you can pull it out a bit too, to give it more shape.

Make sure you know where your face will be, as this type of bead usually has a front, whether you plan it or not. Sometimes it just looks better when you inspect it.

Now for the face. It looks like Fiona used the same color as the beak and feet for the eyes. I understand that blackbirds have yellow eyes, but perhaps you might consider using a slightly lighter yellow next time for more contrast. I think your beak is great for the first time. Sometimes people make them rather pointed like in real life, but then it's harder for you to wear, as you don't want it too sharp and poking you. You might have it stand out a little more horizontally next time if you prefer that look. If it's hard to do, then try making one large dot and let it cool a bit then reheat the tip and pull it out with your yellow rod and hold it in place until it cools and you can gently break off the tip of the rod. Then flame heat the beak just a touch to get any remaining glass marks off of it.

Because we're chatting about more birds tomorrow, Fiona's penguins, we'll just touch on the feet for a minute. You have a couple of options here. I think that these are great for a first try. It's hard figuring out where you want to place them, (on the bottom directly under the eyes is a great way to "spot" where to put them). But perhaps you might have wanted to make them a larger dot, gently flatten them a bit with your marver from the bottom and either use your scissors to cut them a little or tweezers to give them a little more shape like bird feet. These are wonderful for the first try.

For those of you who want to try a bird and keep it even easier. Perhaps you might want to try this method.


Marcy's Simple Bird Tutorial

1. Make a good sized donut shaped bead. This will be the body of the bird.
2. Make a medium sized dot on the top shoulder of the bead (this will be the head)
3. Make another medium sized dot on the top shoulder directly on the opposite side of the bead and that mass of glass will become the tail.
4. While keeping the bead warm, add two simple black dot eyes on the head. If you are using a dark base bead, then you want to do a first tiny layer of white, and gently marver that down, so it's round and gets chilled into shape. After it's set, you can add the dark black mini dots on top of it. Keep the black pupils small.
5. Flip the bead over to the tail and warm up just that dot. Gently squish that glass with your pliers or tweezers first in the middle and then on either side of the first squish. As you squish, lift or drop the tail a bit in the direction that you want. Often I lift it up and pull it out a bit.
6. Still keeping your bird warm, make a medium gather of a coordinating glass rod color and make that comma motion that I mentioned on body of the bird where the wing would go. I always work on my less dominant side first. So when you repeat it on your "easier" side, you can match it up and feel more coordinated while doing it.
7. Add two dots of "feet" color under the body towards the front. Gently flatten them so they just peek out and give the hint that they exist, but aren't a major focal point on it.
8. Now the beak. Take your beak color- often I use a contrasting neutral- brown, ivory or black, and place a dot in the center part of the head. I let it sink in well and then reheat and gently pull it out with a small stringer of the same color. I gently pull the stringer off and reheat just the very point to get it in the right.
• • • • • • • • • • • •

Check back tomorrow for Fiona's penguins. You'll be amazed at her progress between the first and the second one. And please, leave some comments for Fiona. I think she deserves huge kudos for volunteering to be the first one coached and for her fabulous first sculptural bead.

And to see both of my easy online tutorials together, I have made a simple bird sitting on a cactus bead. It's here: http://www.etsy.com/shop.php?user_id=34983


Monday, September 15, 2008

Okay, I Heard You...Here's My Peach Crisp Recipe and An Update on My Next Online Coaching Blog Post

Before we get into the Peach Crisp Recipe, I wanted to let you know that my first online coaching student, Fiona from Great Britain, has completed her beads and sent the photos to me. So that means  tomorrow my first online coaching blog will appear.  I'm excited.  You'd never know that this is her first try.  She did wonderfully
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I have had more than a few requests for my peach dessert recipe. And because it's PDY, (pretty darn yummy), I decided to include it in today's post. Tomorrow we'll get back to glass, but for today, just think peachy thoughts.
(Here is a photo of my frozen peach stash in my freezer.)

I feel a little like that guy in Forest Gump, but instead of talking about all the shrimp dishes, I'm thinking, peach margaritas, peach crisp, peach pie, peach ice cream...you know what I mean.

Here is a modified recipe from Colorado Collage Cookbook- one of my faves.
And these are my peaches from the Western Slope of Colorado. I've blogged about them already and adore them. The have the fragrance, juiciness and flavor that I haven't found anywhere else, and I live in Georgia- the Peach State.

The original recipe includes a mixture of plums and peaches, but because my family loves peaches so much, we substitute more peaches for the plums. You could use a mixture of fruits though- apples, plums, etc. would all work. Don't forget to add a little more liquid if you use apples. (We're partial to a touch of Gran Marnier or Amaretto, when more liquid is needed) And if I don't have tapioca, then I substitute flour. It's needed to thicken the abundant juices.

Plum Creek Peach Crisp (10-12 servings)
1 1/4 C flour
1/2 C packed dark brown sugar
1/2 C chilled stick of butter, cut into pieces
2 tsp finely grated orange zest
1/4 tsp plus pinch of salt, divided
10-12 medium peaches, peeled, pitted and cut into 1/2" wedges (about 8.5 cups)
1/2 C sugar
2 Tbsp quick cooking tapioca
1 tsp fresh lemon juice
Vanilla ice cream

In a food processor, combine flour, brown sugar, butter pieces, orange zest and 1/4 tsp salt. Pulse until it becomes small clumps. Cover and chill. Can make the day before.

In a large bowl, combine peaches, sugar, tapioca, lemon juice and pinch of salt. Let stand at least 30 minutes and up to 2 hours, stirring occasionally. Preheat over to 350 degrees. Grease 11x 7x 2 inch pan or 2 quart baking pan. Spoon peaches mixture into prepared dish and top with flour mixture. Bake until fruit is tender and topping is brown and crisp. 45-60 minutes. Cool slightly and spoon into deep serving bowls. Serve with vanilla ice cream.

I wish I could include a photo of the dessert, but I have to say that whenever I make this, it goes rather quickly. So use your imagination.

If you have a great recipe, whether for peaches or something else, please feel free to add it in the comments section. Why not?



The Better To See You With, My Dear











I often get asked how I can get so many little details onto my lampwork glass beads. When many of my beads average under an inch tall, I guess I can see it from that perspective. But in one of my earliest classes , Kate Fowle Meleney offered this tip.


Use the press-on magnified reader lenses inside your protective safety glasses.

This is the brand that I have found online and use. Here is a url for them. http://www.stickonbifocals.com/custom.em?pid=196896 I use higher magnification than what I would normally use. My readers are typically 1.5 magnifiers. Darn, it's hard being old!. I chose 2.5 magnification, but I see this site offers them even higher at 3.0 magnification. The pricing is very reasonable- the lens themselves are around $15 and then there's shipping on top of that. They last a long time.

Please be warned, that these take quite a bit of getting used to. It makes you a little crazy at first. I put mine at the very bottom of my protective glasses, (I wear old school rose didymiums), and then when I want to see something at a distance, I just peer over the top of them as my glasses slightly slide down my nose from being too loose. I am sure there are other ways to solve this problem, but this method works well for me. And of course my other rule of thumb is to have great lighting. My sweet husband and nephew installed some strong track lighting in my studio. That is even more important than the additional magnification.